Ant-Man and the Wasp: Quantumania (2023) in Google Drive Free
Ant-Man and the Wasp: Quantumania is an atrocious movie, but it’s atrocious in a way that Marvel movies rarely are. Up until now, the films of the MCU have for the most part managed to strike up a decent blend of sentiment, jokey humor, and superhero derring-do. When they succeed, it’s because most of these elements are firing at full blast. When they fail, it’s usually because they pushed too hard in one direction or another — the movies are either too sentimental, or comic, or cluttered with unimpressive action scenes. I’ve loved and hated my share of these films (and, as a parent, I’ve had to see just about all of them multiple times), but I’ve never been quite so stupefied by one the way I was by Quantumania.
Save for a relatively brief, breezy opening section set in the Marvel present, where Scott Lang (Paul Rudd) has written a memoir about his eventful life as Ant-Man and his experiences saving the world in the wake of the Thanos Snap and the ensuing battles, the vast majority of Quantumania takes place in the Quantum Realm, that deadly microworld that you fall into if you shrink so much that you find yourself slipping between subatomic particles. As you may remember, Janet Van Dyne (Michelle Pfeiffer) was rescued from that land in the previous Ant-Man film. Now, she reveals that she wasn’t alone down there — that a whole universe of beings exists in the Quantum Realm, elaborate and diverse alien tribes in seemingly constant conflict. Among them, we learn, is Kang (Jonathan Majors), an enigmatic traveler whom Janet initially befriended, thinking he was a wayward soul who had accidentally wound up in this dimension. It turned out, however, that Kang was a dangerous, imperious, all-powerful being who had been exiled to the Quantum Realm from his own world.
